New Music (Reviews)

Tiny Little Ghost (also known as Vanni Casagrande) is a producer who blends electronic, ambient, and cinematic sounds to craft deeply personal and introspective journeys through subtle textures and expansive spaces

Hart Over Silence delivers emotionally driven pop rooted in real-life experiences, blending honest storytelling with polished, modern production that connects on a deeper level.

It is great to hear the second track from Jay Malla, and Here and Now really shows off a different side of his artistry. I am a big fan of the R&B vibe he has leaned into for this one. The chord progressions are sophisticated and the bass lines are incredibly smooth, giving the whole track a great foundation to sit on.

As with the previous song I heard from him, the guitar work is absolutely stellar. That organic touch is becoming a real signature for him, and the guitar solo in this track is another highlight that brings a lot of soul to the production. The overall vibe is very cohesive, and those background vocals in the final section do a fantastic job of lifting the energy right at the end.

My thoughts on "She'll Never Be My Girl" by Jay Malla

There is such a refreshing, organic soul to this track that really stands out. The production on She'll Never Be My Girl feels alive, and that authentic band driven energy is exactly what this kind of songwriting needs. I am a huge fan of the guitar work here because you just cannot beat a well executed solo, and this one hits the spot perfectly.

The story has a great trajectory, and I love the little production touches that bring the narrative to life. The call and response between the man and the girl in the chorus is a brilliant move as it adds so much depth and character to the mix. Plus, those "Oooh" parts in the bridge section are working beautifully to lift the song right when it needs it.

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This is a fantastic debut for Sakiru. Starlight captures that late-night energy perfectly, and the city-pop influence gives it a really cool, nostalgic shimmer that fits the indie-pop genre well. I love the way the song builds throughout the track; the contrast between those soft, introspective verses and the more urgent, emotional chorus is executed beautifully.
The production does a great job of staying minimal and atmospheric, allowing the vocal phrasing to really carry the weight of the lyrics. It feels very intimate, which clearly aligns with the goals for this new project.

aclyn Bradley is an American singer-songwriter, best known for her work on The Voice of Holland, Ireland’s Got Talent, and Vh1. She is also known for her published music therapy research and vocal instruction at Rock Town Music Academy, the music school she founded in 2020. Her single "Hometown" has been featured in the 2025 film "Beneath the Light" and she recently opened for female country music veteran, Deana Carter.

An international performer, Jaclyn’s first language is music. A native of Lorain, Ohio, she has an opera degree from Indiana University.

After graduation, she moved to New York City only 10 days before the 9-11 attacks. With the world in uncertainty (and her roommate an employee in one of the towers), Bradley picked up her guitar in the aftermath and started to write. After recording an album with her New York-based band, Jaclyn moved West to Los Angeles to become a solo recording artist. She recorded two albums and toured the LA music scene as a singer/songwriter and as back-up singer to Ty Stone (Kid Rock, Atlantic Records), Michael Satrazemis (The Walking Dead), Gretchen Bonaduce (Vh1), sang alongside Terri Nunn (Berlin) and recorded with Joshua Grange (Sheryl Crow, Brandi Carlile).

Not long after landing in California, Jaclyn was hired as personal assistant to notorious “bad boy” celebrity, Danny Bonaduce. She filmed two seasons of the hit Vh1 series, Breaking Bonaduce with Danny, and her original songs were licensed and performed live on the show. Since then, Jaclyn and her music have been featured on MTV, Bravo, TLC, HGTV, and in film.

In addition to writing and performing, Jaclyn is a board certified music therapist. She led the largest music therapy study in history to research live music in surgery, which was published in the Journal of Clinical Oncology, one of the world’s premier high-impact medical journals.

While living in Europe, Jaclyn recorded two albums, appeared as a cast member on The Voice of Holland, performed on Ireland’s Got Talent, and sang at Noorderzon music festival.

Also a filmmaker, Jaclyn's music videos and documentary film, Made of Gold, have been recognized globally. Her short film/music video, Love the Bodies We’re in premiered at Graumen’s Chinese Theater in Hollywood as official selection in the Dances with Films festival.

Cleveland Magazine has named her one of the her hometown’s most interesting people and her music school has been voted best in the county and Northern Ohio.

My thoughts on "white boy i sat next to on the plane" by Kiey

The indie vibe on this track is really captivating. There is a beautiful simplicity to the arrangement that allows the vocals to take center stage. I especially love how the voice has this fragile, vulnerable quality—it is the heart of the song and works perfectly within this minimalist setting. Additionally, the music video works really well with the track, capturing that same intimate and visual energy that the song evokes.

Mon avis sur "Le poids des jours" – Nadège Poétesse

Salut Nadège ! Merci beaucoup pour ce partage en avant-première. C'est un morceau très bien ficelé, et on sent que le message est profond et engagé, comme à ton habitude. Ton écriture reste ta grande force : le texte est soigné et l'histoire est vraiment touchante.
otion et une construction qui évolue bien. Le mélange entre ton écriture classique et l'innovation technologique fonctionne à merveille. J'ai hâte de voir le résultat final le 11 avril !

Bravo pour ce beau travail, continue comme ça ! 🙌

Tiny Little Ghost (also known as Vanni Casagrande) is a producer who blends electronic, ambient, and cinematic sounds to craft deeply personal and introspective journeys through subtle textures and expansive spaces

My thoughts on No Second by Angelzoom

The cinematic atmosphere of No Second is truly impressive. Right from the start, the dark electronic vibe sets a powerful stage, and the production feels very intentional in its storytelling. The music video also does a fantastic job of mirroring that visual narrative, making the whole project feel cohesive and professionally directed.

My thoughts on Reset by Virtual Sound Tour
The energy on Reset is a great surprise. The way it blends that upbeat Ska vibe with a distinct Latin touch is really well done and gives the track a lot of infectious personality. It’s a fantastic example of how vibrant and fun this type of production can be.
Sonically, the foundation is very strong. I really like the tone of the drums, though if I were to be picky, the kick drum could benefit from a bit more warmth to help it feel more grounded. Overall, I’d love to hear a slightly more open tone across the mix to give the horns and percussion even more room to breathe.
To help with that clarity, you can try creating a "vocal pocket" in the instrumental. By applying a subtle, wide cut in the instrumental mix(usually around 1kHz to 3kHz).you can clear out the clutter and let the lead elements sit right in the center without fighting the guitars or horns.
My main piece of constructive feedback is regarding the arrangement. I would love to see more variation as the song progresses, especially toward the end. Creating a stronger build-up and a definitive climax would give the track that "big finish" energy that makes this genre really pop.
Additionally, since this is aimed toward a sun-soaked summer pop vibe, I think the song could be edited a bit shorter. Keeping it under 3 minutes would help maintain a high level of energy. You can achieve this by using some "radio edit" cut points—like shortening the second verse or the transition into the bridge.to get to that final high-energy chorus faster. This leaves the listener wanting to hit replay immediately.
Overall, it’s an impressive and catchy track. I’m definitely curious to see where Virtual Sound Tour takes this sound next!

The BreakBomb Project is an experimental EDM outfit founded by Brandon Greenstein in July 2018. After the debut of his first single “World”, Greenstein hit the ground running with the production of other top hits like “Breakdown” and “Fly Away”. The end of 2018 ended with the release of “Up ‘Till the Morning”, garnering much success for the young artist. Greenstein went on to debut a new single “One Love”, a teaser that was released at the start of 2019 for the debut album, “The Project” which featured hit singles like “Goodnight” and “Ticking”. 
 In 2020, TBBP started the year with a new single, “Deep End.” The song found massive success on TikTok and other social media platforms. Later in the year, Greenstein worked with singer/songwriter Ava Petrillo on “WHY,” which made its way onto radio charts and curated Spotify playlists. 
 Soon came a collaboration with upcoming singer Ryan Violet on “Drugs Don’t Work,” including a music video and support from various producers and DJs.
 The BreakBomb Project continues to set the standard high from a creative.

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My thoughts on God, Can You Hear Me? by Dax
The energy on God, Can You Hear Me? is incredibly moving. Right away, the sheer power of the vocals and the weight of the lyrics hit home. I specifically love the blend Dax achieves here.
Movng seamlessly from sharp rapping to singing beautifully. It shows a lot of versatility and keeps the listener engaged with the narrative as it unfolds.

The piano production works perfectly with the overall vibe, providing a somber, elegant foundation. It’s a very well-defined production where the energy matches the lyrics perfectly as the song builds up. One of my favorite aspects is the vocal production; there is so much great "ear candy" tucked into the mix, and those subtle echoes really make the lyrics shine.

If I were to offer one piece of constructive criticism, it would be that the track is on the longer side.
For example, that massive chorus that comes in around the 4:10 mark is such a high point.
I would have loved to hear that energy hit a bit earlier in the arrangement to hook the listener even sooner.
To achieve this, you could use some "radio edit" techniques, like slightly condensing the second verse or shortening the intro to get to the emotional peaks faster.
Besides that, everything works really well. It’s a powerful, polished piece of work, and the balance between the intimate piano and the expansive vocal effects is spot on. I’m definitely looking forward to seeing what Dax drops next.

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"Worth It" is a very strong production. I really enjoy Thomas Bruggemann’s overall tone and vibe throughout the track.

The production is highly effective, successfully capturing the essence of a modern Top 40 hit and working perfectly within the genre. It is honestly one of the better-crafted pop songs I’ve heard recently in this style.

Everything I have to say about the track is positive. The only minor adjustment I would consider is adding a bit more variation toward the end. Since the song is fairly long, you might try either changing the instrumentation for the final chorus or shortening the overall runtime by about 20 to 40 seconds to keep the energy tight.

Looking forward to hearing more from him!

"Motion" has a fantastic synth-pop energy that immediately caught my ear. I can definitely hear some of those "The Weeknd" vibes in the production, which gives the track a really sleek and modern feel. It’s refreshing to hear a song with this much character in an era where so much music feels overly AI-generated.

The track is really good overall and has a great atmosphere. For some constructive feedback, I think the production could benefit from a slightly more open-sounding mix to really let those synth layers and textures breathe. Additionally, I feel like the track could possibly be a bit shorter to keep the momentum tight and the energy high throughout.

Regarding the stylistic lane, I think this is a very strong direction for the project. The blend of nostalgic synth textures with a modern pop sensibility feels very current and hits a great sweet spot for the genre. It’s a lane that definitely has a lot of potential for growth.

Looking forward to hearing more from Alexandre!

"Bad Limerence" is a very strong production. I really enjoy Romy Carvin’s overall tone and vibe; she has captured that Taylor Swift-inspired energy perfectly, which works so well for this track.

The production is highly effective, successfully leaning into that Top 40 sound. It is honestly one of the better-crafted pop songs I’ve heard recently in this style. It’s impressive how well the essence of a modern hit was captured here.

Everything I have to say about the track is positive. The only minor adjustment I would consider is adding a bit more variation toward the end to keep the listener engaged. Maybe changing the instrumentation for the final chorus or more?
Regarding the stylistic lane, I think this is a fantastic direction for the project. The crossover between relatable songwriting and polished pop production is a sweet spot with a lot of potential.

Looking forward to hearing more from Romy

"2AM" is a very strong production. I really enjoy the overall tone and vibe; I can definitely hear those Maroon 5 and Ryan Tedder influences in the writing and production style, which gives it a really polished, radio-ready feel.

The production works perfectly within the pop genre, successfully capturing that modern Top 40 essence. It’s honestly one of the better-crafted tracks I’ve heard in this lane recently.

Everything I have to say about the song is positive. The only thing I would possibly suggest is adding a bit more variation toward the end. Since the song is only about 2 minutes long, it could really benefit from an additional bridge or a slight change in instrumentation for the final chorus to give it that extra lift before it wraps up.

Regarding the stylistic lane, I think this is a fantastic direction for the project. The blend of soulful pop melodies with a high-end production style is a major sweet spot.

Looking forward to hearing more from Adam Swift!

"How Did This Happen?" has a great vibe that leans a bit more into the pop/alternative space than straight-up rock. It’s a refreshing change of pace, and I really appreciate the overall energy and the "raw" feel of the track in this current era of highly processed AI music.

The song is really good overall. For some constructive feedback, I think the vocals could be mixed a bit tighter to help them sit more prominently in the track. Additionally, making the arrangement feel a bit more open-sounding could really give the production some extra room to breathe.

Looking forward to hearing more from Kiey!

"Do This On My Own" has a great rock/pop energy that I really love. It is incredibly refreshing to hear such a "raw" song in the current landscape of AI-driven tracks; I really appreciate the live-instrument feel and the genuine energy of the vocals.

The overall production and vibe are really good. If I were to suggest one minor tweak, it would be to make the mix a bit tighter to really make those elements pop, but the core of the song is solid.

Looking forward to discovering more from Travis Shyn!

Emotional Human Hand Written Songs, Sung by Ai Sirens.

About Me:

• Songwriter • gamer • proud geek

• Loves: music that drips, manga that flips, weed that lifts, cats that chill

• Dislikes: anybody uncool enough to hate a feline

• Before I forget: Food - Love Food of All Types!

What Is Killa Kawaii?

Killa Kawaii = “dangerously cute.”

• Killa – slang for something so good it’s lethal: killer beats, killer style.

• Kawaii (かわいい) – Japanese for “cute,” the wide-eyed, pastel, manga kind of cute.

Velvet melodies with a little with switchblade edge: Afro-fusion bounce, reggae warmth, and lo-fi R&B haze. Sweet charm, lethal groove sung by Ai Sirens until the real ones step forward. 100% real human lyrics & melodies.

Averlie is a pop fairy of glitter and melodrama. Music helps her work through her emotions, tell stories, and connect with people <3

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Review: Sinatic x Meeduza – "Almost Yours"

"Almost Yours" is a sleek slice of contemporary pop that immediately grabs attention with its polished production and infectious energy. A collaboration between Sinatic and Meeduza, the track leans into a sophisticated, club-ready sound while maintaining the melodic accessibility that defines a radio hit. From the opening notes, the synth work feels both atmospheric and purposeful, setting a moody yet driving foundation that keeps the listener locked in.

The chemistry between the two artists shines through the song's rhythmic structure. While many pop tracks fall into predictable patterns, "Almost Yours" plays with tension and release, using a pulsating bassline to bridge the gap between its vulnerable lyrical themes and its high-energy drop. The vocal performance is a standout, delivering a sense of longing that feels authentic, ensuring that the track resonates on an emotional level even as it demands you move to the beat.

Overall, this release solidifies Sinatic's reputation for high-quality, genre-blending pop. It manages to feel current without being derivative, carving out a space that is as suitable for a late-night drive as it is for a crowded dance floor. For fans of the genre, it’s a refreshing addition to their playlists—a testament to what happens when sharp songwriting meets top-tier electronic production.

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the song is about knowing you're incompatible with someone but deciding to go for it anyway because it just feels too good when you're together. So we aimed to make the production magical and fun to capture how it feels when you're with that person (like paradise), while the lyrics convey the reality of the bird's eye view perspective - t

Jerry’s song has a great balance of pop and Latin rhythms. The production really fits the genre.
the four-on-the-floor kick pattern makes it danceable, yet it maintains a chill, relaxed vibe. I especially liked how the bridge slows down and the drums drop out.

Beyond The Grip track has a very puck garage rock energy that i love.
It is refreshing to hear a more "Raw" song in this AI area we are in.
i appreciate the live instrument feel and the vocalist`s energy.
the guitar solo some as a nice break / bridge.
i feel like Beyond The Grip would be a super fun band to watch live!

looking forward to discovering more of their music!

Elise has an amazing vocal tone and a great vibe overall. "Mirror Mirror" has a nice flow and direction, and the production style fits the genre well.

Constructive Criticism:
While I like the overall vibe, the instrumentation feels a bit "busy" for my taste. Specifically, the drums feel a bit too aggressive and present, which clashes slightly with the relaxed feel of the track. At times, the production has so much going on that it almost outshines the vocals.

I would love to hear the vocals treated as the true star of the song, keeping the instrumentation more minimal to let her voice shine. It’s a solid song and production overall, and I’m looking forward to hearing more from Elise!

SAMM`s song "Take Me Out" Has a very retro/modern vibe to it.
he was able to capture a nice blend of pop/ synth pop. the production work really well with his vocal style.

I can hear a lot of experience in the song writing and structure in general. The song has enough variation to keep the listener engage and and at the same time it makes sens musically it feels overall very solid.

Looking forward to hearing more from SAMM!

Venika Has a very powerful voice and Tiny Creatures is a great show case for it.

The song is interesting and engaging at the same time. the instrumentation of the song feel modern a nice blend of "live" Feel and programmed instrumentation.

Constructive criticism:

i feel like the mix could be a but tighter overall for my taste. In general i like songs with a very forward lead vocals and in this case i would love to hear Venika just slightly more over the mix to showcase her vocals even more.
Possibly have a bit more "Open" vocals sound would be nice.
But overall everything is well produced.
Looking forward to hearing more form her!

Let me start by saying that I really enjoyed listening through this whole song.
In a genre often crowded with heavy production, Lara Mae’s "Snow" stands out through subtraction.

By leaning into a minimal electronic landscape, she allows the "vocal-led" promise of the track to truly shine.
The DnB influence is subtle rather than overbearing, acting as a heartbeat for the song's exploration of emotional tension. It’s a sophisticated piece of indie-electronic pop that prioritizes space and intimacy over flashy drops, making it a must-add for late-night or "chill-focus" curation.

What to give a bit of constructive criticism I would say that the song being on the longer side I did appreciate having dad bridge transition towards the last half of the song.
But it felt like it took a while to get there if that makes sense
I would kind of enjoy hearing that's part of the song earlier if that makes sense I know sometimes it's difficult to cut anything out but if there is an option, I think the listener would really enjoy listening to that bridge section.
In that same vein of thought I would say that adding a bit more variation possibly extra effects for transition between section would greatly enhance the vibe.
Possibly adding some ear candy and things here and there would be really cool as well.
But overall I really enjoyed listening to it and I'm looking forward to hearing more from her. Thank you for sharing your music with me.

“Rather Redux” is a collaborative single by TRY and IceColdBishop, blending elements of electronic production with hip-hop energy. The track highlights each artist’s strengths: TRY’s textured, cinematic instrumentals and IceColdBishop’s expressive vocal delivery and rhythmic flow.

" Making Believe " has a very strong songwriting foundation.
In this artificial intelligence around and we're living in it's refreshing to hear some thing that feels more human and live.
I really appreciate the overall groove and imperfection that are very tasteful in this track and composition.
The arrangement works overall very well the blend of instrument feels very purposeful.

I to give a bitch of production feedback I would say that's just Song being a bitch on the longer side almost 4 minutes try to possibly add a bit more variation or transition elements between the sections.
Possibly creating a streaming or radio, edit geared more towards Spotify and such.
But overall I really enjoyed listening to Bill Popp and the Tapes.

Looking forward to hearing more from them, and as they mention, possibly one day seeing them live in NY

Claudia Ferri, cantautrice Toscana, si appassiona alla musica e alla danza fin da piccola. All’età di 20 anni prende le prime lezioni di canto e Musical nella scuola di danza Opus Ballett di Firenze e segue un master triennale di Musical diretto da Raffaele Paganini presso l’Accademia Nazionale di Danza a Roma ripreso da Sky per il programma settimanale Dietro le Quinte. Dal 2018 al 2020 segue corsi di recitazione e canto con Christian Ginepro e Francesco Lori. Si esibisce in qualità di cantante e performer in teatri e luoghi importanti come il Teatro Verdi di Firenze e l’Abbazia di San Galgano a Siena. Nel 2021 Claudia incontra la sua Vocal Coach Danila Satragno, con la quale si perfeziona sullo studio del canto pop e intraprende strada da cantautrice oltre che da interprete. Nel 2024 pubblica il suo primo singolo " Colpa di Paganini"

On sent vraiment une évolution, tant dans la structure du morceau que dans l'image. On perçoit que tu as su t'approprier les conseils pour affiner ton identité, tout en gardant ta sensibilité de "poétesse".

C'est du beau travail, soigné et authentique. Continue comme ça, la progression est flagrante !

J ai pas beacoup de commentair pou celui je trouve que c est vraiment cool.

peut etre un chose a voir le morceau esrt assez long pour un morceau pop donc peut etre fai un edit radio serait cool.

mais voils j aime beacoups le melange de tonalite et genre que tu a cree

For more than 35 years, Jeff Hodges dedicated himself to shaping the sound of others — producing, guiding, and refining music with precision and care. After decades behind the scenes, he has turned fully toward his own art. From his home studio in Turks & Caicos — painstakingly built piece by piece — Jeff has found a new kind of freedom. What was once a quest for perfection has transformed into a return to joy: playing for the sheer love of it, letting go of rules, and channeling raw emotion through music. This honesty is connecting. His recent work has sparked an international collaboration with G4 Tequila and earned more than 2 million streams across YouTube and other platforms. When he’s not in the studio, Jeff keeps music alive and communal, performing regularly inTurks and Caicos. Now, he’s bringing this spirit of play into his upcoming album — an adventurous fusion of Latin, Caribbean, rock, hip hop, blues, and rhythm-driven sounds. It’s music born from joy meant to be shared.

"Tell Me If It's a Crime" is a very strong Production. i i really enjoy Ra Eesa s overall tone and vibe.

I feel like even this is an AI generated track. They were really successful at capturing the essence of the top 40 song
The production is working well within the genre.

Everything I would say about the song is positive it's one of the better AI generated pop song I have heard so far.
The only thing that I would possibly modify is Adam bit more variation towards the end.
This song is fairly long and I would possibly try to either change or an instrumentation for the very last chorus or shorten it by about 20 to 40 seconds.

Looking forward to hearing more from them!

Andie Yagher is a singer-songwriter born and raised in Los Angeles, California. She first began writing music shortly after learning guitar, and started performing at a very young age. Music has always been a critical element of Andie’s creative life. With a blend of an acoustic pop, folk, and country sound, she strives to shed light on heartbreak as well as joy from new perspectives. Andie attended the Harvard-Westlake School in Los Angeles where she was a member of the HW Jazz Ensemble and HW Jazz Singers. As an actress, she received the 2021 National YoungArts Foundation award for Theatre. The year before, she received the 2020 National YoungArts Foundation Award for Dramatic Writing, and has seen her plays performed in a few venues, including The Blank Theatre’s National Young Playwrights Festival. She is a 2024 graduate of Sarah Lawrence College in New York, receiving her bachelor’s degree in Film and Theatre. With her music, Andie hopes to connect with audiences of disparate experiences and backgrounds. For Andie, music is an escape, but also a way to bring people together and share in vulnerable and meaningful experiences. She is so incredibly grateful to anyone and everyone who enjoys her sound!

J. Killen is a Los Angeles-based Americana artist and lifelong songwriter. After years spent in Austin, Texas and touring in various projects, he stepped away from music before returning with a renewed sense of purpose. Rooted in country and traditional American sounds, his songs carry an independent spirit - the same one that shapes his debut, Goin' It Alone.

An explosive alternative band out of Coral Springs, Florida, Leave It To Us has an upbeat, energizing sound that captures the melodies of the 90's and the catchy harmonies of today's pop music. Formed in late 2009, Leave It To Us has shared the stage with acts like All Time Low, Sum 41, Hit The Lights, The Summer Set, and many more. They have performed at prestigious events such as Vans Warped Tour, The Driven Music Conference, and were even nominated for 3 Artists in Music Awards in 2013. Evan, Micah, Dustin and Sean are a group of four friends brought together by the passion of music. The band is currently gearing up to release 4 new singles and hit the road touring the US this fall. Be ready to jump around, sing your heart out, and have a great time with friends...because that's exactly what they do.

Nyco Dinesh did a really good job at capturing the vibe of this Dreameater Track.

Even though this is not the type of music, I usually listen to. I enjoy listening through the whole track.
To give some feedback on the sound I would say that looking at the production it would benefit to add a bit more variation.

I do love the overall tone of the drums and the 808 hitting pretty hard in the chorus so that's a really w

Right now the song feels a bit static and uniform. Especially because it's over three minutes I would try to add a bit more variation, especially through the builds ups, and towards the end of this song.

Looking forward to hearing more of his music and see him grow

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Since it’s an AI-generated track, though, you can definitely tell in some spots. It feels a little "flat" or generic at times—kind of like it’s staying on one level the whole way through. I’d love to see it get a bit more "fancy" with the production. If it had more variation and dynamics to break up the flow, it wouldn't feel quite so "AI."

Steeped in drum machines, synth, acoustic guitar, and smouldering bass, and born from a community of amazing musicians, artists, and producers, BF/C maneuvers in electropop painted in warm, vivid colours. With the crooning swagger of Rod Stewart, retro slick influences like Roxy Music and INXS, and the raw, shimmering sex of Fine Young Cannibals, the duo invokes desire, seduction, and longing in equal parts.

Releases and career highlights

BF/C has released two full-length LPs: The Unexpected Consequences of Feathers ( 2019, Tamiami Records) and Valet (2021, Tamiami Records). They also have a Swedish EP, Den Goda människan I Sequan (2017, Golden State of Mind Productions) and an EP, BF/C (2016, Golden State of Mind Productions). A third full-length album is forthcoming in 2025 after waterfall releasing all songs.

The guitar work across the whole track is easily the highlight for me.
the tone is spot on, and that guitar solo really rips. It gives the song so much character. I also really like the songwriting and the general message they’re going for; the choice of sounds feels right for the vibe.

The Moi" est un morceau très agréable avec un potentiel évident, porté par une voix et une prod impeccables. En travaillant davantage sur la progression dramatique et en évitant les redites, ce titre pourrait passer de "joli morceau d'ambiance" à un véritable tube

Montreal-based female rock trio LES SHIRLEY have zero interest in playing it safe. Delivering a unique brand of in-your-face, anthemic rock driven by pop melodies and a defiant punk attitude, the band channel urgency and conviction into every song. Formed in 2018, Raphaëlle Chouinard (lead vocals, guitar), Lisandre Bourdages (drums, backing vocals), and Sarah Dion (bass, backing vocals) have built their reputation on a take-no-shit presence that hits just as hard onstage as it does on record. With two full-length albums and one EP already under their belt, the band has toured relentlessly across Quebec, cultivated fanbases across Ontario, and built a formidable international following through six European tours, performing in Germany, France, Belgium, Spain, and a half dozen other countries. Their rise has included sharing stages with artists such as NOFX, Weezer, Sublime, Simple Plan, Billy Talent, The Beaches, Green Day, and Avril Lavigne. A career-defining moment came in 2023, when the Foo Fighters personally invited them to open at Montreal’s Verdun Auditorium. That upward trajectory continued with LES SHIRLEY joining Jimmy Eat World on their 2025 European tour. Rooted in lived experience, LES SHIRLEY’s catalogue draws power from feminist rage and a refusal to stay silent on a long list of issues including human rights, racism, and identity, reflecting the band’s perspective as members of the LGBTQ+ community and navigating a chaotic, inequitable world.

My thoughts on Take Your Breath by BeerMaster

I’ve been spinning Take Your Breath by BeerMaster, and honestly, the vibe is just spot on.

The first thing that jumped out at me was the vocals. They have this super original "taste" to them that I haven't really heard anywhere else yet. It’s hard to put my finger on, but it feels fresh. I also love how they layered everything—it’s got that perfect middle ground between punk grit and pop melody, and all those layers make the track feel really lush.

Emerging singer & songwriter who writes raw relatable authentic lyrics that reach deep into the soul. From empowerment, heartache, moving on, & finding love again. Her smooth breathy tones & unique voice have featured on BBC Radio. Her sassy songs & independent attitude bring a fresh new perspective to your musical ear. Get ready to swipe right on her songs.

Chloe’s writing styles follow inspiration from americana, country, soul & pop genres.


Her debut single “Heart has found a home” is stunning, co-written with Jeff Franzel (Frank Sinatra’s Piano player & Grammy nominated songwriter) & produced by Martin Sutton (multi-platinum songwriter & producer - Leanne Rimes, Backstreet Boys ).

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the death of internet records alone in a house hidden deep in the Scandinavian woods. Each track begins and ends on the same day—written, performed, and captured before the feeling can fade. Casio drum machines click against the walls, RE-202 echoes drift through the rooms, and nothing is corrected beyond what the moment allows. A bedroom producer by nature, the death of internet treats emotion as the highest form of precision. Imperfection is not avoided but welcomed; feeling is perfection. The result is music that sounds like it was found rather than crafted—lo-fi transmissions from a quiet place where time moves differently.

drch8 create a very popy / vibey track.
i think he had successful production. it has a top 40 vibe with more edge.

I can tell that the message in this song is very personal to him. i always appreciate a real story with a song. definitely inst worries of saying it how it is.

The Russia born and Germany based artist Anatol Cyberia approaches DJing as seriously as he can, looking at the craft as a legitimate art form. This philosophy allows for a diverse smattering of influences, including assorted strains of House music coming together to make a sound distinctly individual.

www.anatolcyberia.com/

Jordan Cabo Smith creates music for the soul by fusing sounds from across genres. With a background in jazz, hip hop, soul, R&B, african rhythms, sound design, gospel and some classical music, his soung can be described in a sense as a mix of flavors that produce an interesting product depending on the occasion.

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I wanted so badly to be rock and roll, but I'm just not. This is what happened instead." Says Jo Wagner of Lem Lom. This project is subject to the musings, abuse, and muse-abuse of that same Jo Wagner. That's, uhh.. that's about it for now. Thanks for reading, have a happy everything always.

Flawed and human music for a world subsumed by slop.

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Miguel OzoX is an emerging artist blending raw emotion with modern energy. Known for his smooth delivery, sharp storytelling, and melodic flow, he creates music that reflects real life—wins, losses, and everything in between. With a unique sound rooted in authenticity and passion, Miguel OzoX is quickly carving out his lane in today’s music scene. Every track carries purpose, and every release pushes his vision forward.

Bram was immersed in pulsating beats from an early age. he began spinning at local venues as a teenager, captivating crowds at festivals across Belgium and the Netherlands with his hard-hitting, atmospheric sets that echoed the energy of Belgium’s premier events. At 21, Bram made a bold move to New York City, infusing his European roots with the vibrant energy of the city’s underground scene.

Twisting influences of Queens of the Stone Age with Portishead and turning from Spiritualised-sized gospel choruses to the gallow heavy swing of Black Sabbath, with sound as fast as light they move between their influential orbit to create a modern classic that is entirely their own. There isn't space in this genre the band haven't explored. This is a demonstration of their refusal to wait for permission to create a record that stands in scale with some of the most monumental albums in rock. The band's statement on their intent behind creating Luna Mausoleum was that it should be "greater and beyond all reason".

"drowning without you" has a nice vibe. almost retro/modern.
it s a good blend.
the production work well for this style.

"The Way I Look" is super Vibey Track. A very pop infulence production with a touch of rock. it has something of olivia rodrigo and taylor swift.
the production is really well built to make the voice shine.
Frederic is definitely super musical and talented

"Bonfire Logic" create a cool retro inspired track.
i really enjoy that type of sounds. Synth meets rock.

Nice production that puts the vocals layers in the spot light.

i like that the bridge/solo has a nice variation. it s like a nice break and change of speed.

"Nina Castello" has a very vibey/ popey vibe.
i always love a good ukulele intro and sound.
"It's evolution, love" capture the essence of the style.
Pop meets singersongwritter

Since the spring 2022 release of their debut LP All We Tried to Be, Blairstown, New Jersey

sextuplet Water Street have been hard at working honing the eminently engaging brand of

literary folk-tinged pop touring the Northeast. Theirs dues-paying is readily apparent on new

single “Pen Pals”. Melding sunny harmonies and a touch of alt-rock grit, the airy, up-tempo

track reveals a new compositional depth and knack for lyrical cleverness. The ultra-catchy

chorus combined with meticulously placed accent and flourish elevates the composition to

radio-ready perfection.

Kenny Sharp's Brown Liquor Music is not just a soul-defined music experience; it's a journey that elevates pop-ready funk from a genre to a vibe that resonates with people from all walks of life. The frontman, signed to Prescription Songs as a songwriter by his mentor, LunchMoney Lewis, has evolved from a conscious-minded rapper to a crooning and strutting performer gifted with a universally appealing James Brown and Morris Day style of entertainment. As a native of the Washington, D.C. area, Sharp's work is guided by that scene's multi-genre link between soul, rock, R&B, funk, and hip-hop.

This album started life during covid and began a self writing and recording project. Every song was written and recorded in my studio.

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Ravenscode is a four piece Canadian alternative rock band. Growing up together in Windsor, ON it took years of jamming and playing gigs at pubs to try and find their sound.
In 2011 is when the Ravenscode brand really took off. They decided to just create music they would listen too. After releasing their debut album “District of Broken Hope” the world took notice. Their music has been streamed over 80 million times. In November 2020 Ravenscode has finally released their second full length album “Fire and Storm”. The 10 song album certainly packs a punch.

"Old White Men" has a very Movie like quality. super vibey production. i was surprise to hear a female singer since it s called "Old White Men" but i guess that was a cool unexpected surprise not knowing "noah 9000" style and production.

Company has a really nice vibe. OVerall the prodcution is really well made a has a nice mellow grove to it. I really enjoy how the vocals fit the theme of the track. Company has a really nice vibe. Overall the production is really well made a has a nice mellow grove to it. I really enjoy how the vocals fit the theme of the track. Nice Chill song.

upe Jupe crafts a cinematic blend of melodic post-punk and darkwave atmospherics, where brooding synths and angular guitars collide with crooning baritone vocals and pulse-driven rhythms. Their songs explore the human condition in an age of dissonance—searching for connection and harmony amid modern anxieties. The result is a seductive, shadow-lit soundscape that moves the body as much as it haunts the memory.

Naesh is an upcoming Pop, Funk, Disco and R&B artist from the San Francisco Bay Area. Starting from the age of five, Naesh began performing in live concerts and shows, showcasing his talents in venues such as The Palace of Fine Arts, Great American Music Hall, Herbst Theater, Marines’ Memorial, and many more.

EYESHA is a multifaceted International artist; DJ/Producer, Singer/Songwriter, Dancer/Choreographer, MC & Streamer who also works in Meditation, Sound Healing and Psychic Readings.

" Oceanside " is a very vibey, heart felt song. i love the over vibe and dark tone.
the vocals really shine in the production. i love the layering happening with the background and instrumentation.

I appreciate that the song build and has different scenery as ti grows and plays out.

"Big Star" has a nice EDM/Pop Vibe . i fell liek it s is somwhere in between Avicii and Coldplay. it has the pop elemetn you re looking for and the EDM power that make you want to dance to it.

nice production and Vocal performance.

"The Merchant's Last Coin" has an amazing, epic vibe. I really like the vocal performance; it’s definitely unusual and unexpected—very ethereal, yet powerful. The orchestral drums and strings work perfectly with the arrangement, and I love how the song feels like a story that builds as you listen.

" A MAN IN LOVE " has nice smooth B&b Vibe.

i really appreciate the song writing and vocals performance.
the production works really well for this genre. the vocals layers really shine in the arrangement.

" Better For Me " has nice energetic B&b / Pop Vibe.

i really appreciate the song writing and vocals performance.
the production works really well for this genre. the vocals layers really shine in the arrangement. the vocals transition is really cool when it "Drys up " " You know i would"

"CATCH!" has a really good energy. i love the mix of electronic and pop.

Cameron did a really nice job with he production. it fits really well with the style . the drum are punchy the synth are aggressive.

" Luz y Fuerza" has nice ethereal indie/pop/ alt pop vibe

i really appreciate the song writing and vocals performance.
the production works really well for this genre. the vocals layers really shine in the arrangement. the vocals effect sounds nice a lush. i love that type of live instrumentation and feel.

"Tinder" has a powerful ,vibe from the get go. i like the80/ synth pop vibe. the production works well within the genre.

i really like the production

Overall Ander did a really nice job, i cant wait to hear more from him and see him grow as an artist

Run Away with me has a really nice vibe . i love the singer songwriter feel.
the song has a clear message and the production works really well with it.
the chorus hit well , i appreciate teh change of dynamics between the sections.

thanks so much for sharing can wait to see Harry Grow and hear more songs !

the Guitar come it ritgh away and sets the tone.

Sancho villa did a great job capturing a chill vibe.

i appreciate the live feel of the song. the production works really well with this genre.



overall i really enjoyed listening and can wait to hear more form Sancho Villa

Over all "Why do i love you?" is a really strong production. Pop /EDM i think Zenith Grant did a fabulous job making this track.

the overall tone works really well with the production and the vocals are stellar


Overall zenith Grant did an amazing job.

I can't wait to listen to more of his tracks.

Eridia doing a good job singing on top of it and the vibe works really well with he arrangement.

i fits well in the dream pop / pop / indie landscape .

This Style is refreshing in the classic pop/Edm landscape we re currently in.
i like the slow but vibe jazz tones.

i appreciate the non "classical" keys and rhythm being used.

i think it s great for a chill/ casual listening session.

I really dug the vibe on "Kiss Me"
it feels super balanced. That vocal-led intro is a standout for me
it develops really naturally and pulls the listener in right away.

Overall though, Zenith Grant really nailed the songwriting and the general atmosphere here. Great work!

"Got Me" goes straight into the emotional piano. i like that it is not your typilcal Pop / Edm track. it has a lot going on

i can tell that Jonathan has put a lot of effort and energy writing and production this track

i appreciate that there are many different section. almost like a movie with different vibes and growing through out.

Nicely produced pop song . i like the slower tempoe, it works well with Mae`s voice.

This song works will in the current pop landscape, has a touch of Taylor swift , mixed with Olivia Rodrigo’s.

i like the vocal performance , i appreciate the craft.

Also i m not a huge fan of very technical song. the vibe on Silas Grime track really work well with he overall vibe.

the song is definitely long and too the time listening through.
i appreciate that it has a "Sorry feel" and a lot of changes though out.


Guitar solo s a killing and very melodic. really nicely done.
I listening a lot to heavy metal in my past and i can see this fitting well in the "Stratovarius" genre/area of music.