TUTORIALS

Get a Pro Tone in 5 EQ Moves 🔥 Step 1 find the Cross Over for the LowEnd This is the Spot where you start noticing the sound getting thiner within the mix Step 2 with a Wide Bandwidth Open up some of the low mids this will prevent the sound getting too muddy Step 3 To add more Body to the ton add a Bump Right above the Low Cut a little goes a long way Step 4 With a Wide Bandwidth Add some “Air” top open the sound even more this will add more “pick” to the tone Using a multi band compressor, can help control and shape the tone. Using the wet, dry slider can help you Dial in to Taste

### **How to Instantly Recall Inserts in Pro Tools Using Keyboard Maestro** ⚡ - **Purchase All Stream Deck Templates:** [https://www.nico-essig.com/shop] 🛍️ Tired of manually searching for your go-to plugins? In this video, I'll show you how to streamline your Pro Tools workflow by creating a powerful macro with Keyboard Maestro that lets you instantly recall your favorite channel strips and plugins\! This is a massive time-saver for any producer or mixing engineer. 🚀 **Video Chapters:** - **00:00** - Intro: Why you need this workflow - **00:51** - Creating the "Recall Insert" Macro in Keyboard Maestro 🛠️ - **01:25** - Typing the Name of the REcall - **01:25** - Triggering with Elgato Stream Dsck **Resources Mentioned:** - **Free Keyboard Maestro Macro for "Insert SSL Channel":** [https://rkns.link/ap1e0] - **Get an Elgato Stream Deck:** [https://amzn.to/3NKF52l] 🛒 - **Pro Tools Icon Pack:** [https://marketplace.elgato.com/product/protools-audio-sweetener-icon-pack-9e0622ad-4fa1-4da8-abc7-9c2452b46c31] ✨ - **Keyboard Maestro:** (https://www.keyboardmaestro.com) ⌨️ - **Video on How to Set Up a Stream Deck with Keyboard Maestro:** https://youtu.be/0nvMOxLfud4 ▶️ **Learn More & Get Templates:** **About This Workflow:** I love using my Stream Deck to trigger commands—it truly revolutionizes my workflow\! ⚡ For those on Windows, you can use alternatives like AutoHotkey, which is a free and open-source option with similar functionality. You don't need expensive software like Soundflow to create your own shortcuts—it's easier and more affordable than you think\! 💡 **Connect with Me:** - **Instagram:** [https://www.instagram.com/nico\_essig/](https://www.instagram.com/nico_essig/) 📸 - **TikTok:** [https://www.tiktok.com/@nico\_essig](https://www.tiktok.com/@nico_essig) 🎵 - **Portfolio & News:** [https://www.nico-essig.com/](https://www.nico-essig.com/) 📰 - **YouTube Channel:** [https://www.youtube.com/channel/UC397SZv7zBQ2f5nmOXsFhhQ](https://www.youtube.com/channel/UC397SZv7zBQ2f5nmOXsFhhQ) 📺 - **Shop & Equipment Recommendations:** [https://www.nico-essig.com/shop](https://www.nico-essig.com/shop) 🛒 If you found this video helpful, please follow and leave a comment below\! 🙏

5 reasons why your Vocal Reverb Sucks

How to EQ Acoustic Guitar in 4 steps Step 1 find the Cross Over for the LowEnd This is the Spot where you start noticing the sound getting thiner within the mix Step 2 with a Wide Bandwidth Open up some of the low mids this will prevent the sound getting too muddy Step 3 To add more Body to the ton add a Bump Right above the Low Cut a little goes a long way Step 4 With a Wide Bandwidth Add some “Air” top open the sound even more this will add more “pick” to the tone Using a multi band compressor, can help control and shape the tone. Using the wet, dry slider can help you Dial in to Taste

5 Key 🔑 Elements for EQing a Male Pop ### **1. High-Pass Filter** Cut low-end rumble, noise Below 100 Hz Clears mix --- ### **2. Low-Mid Cut** Reduce frequencies 200-500 Hz Eliminates "mud" Creates space --- ### **3. Upper-Mid Boost** Boost presence 1-4 kHz Helps vocals cut through the mix --- ### **4. Sibilance Control** Use de-esser 2-8 kHz Tame harsh "S" and "T" sounds --- ### **5. High-End Boost** Add "air" and "shine" Above 8 kHz Makes vocals sound polished ---

🔑 There are 5 key elements for EQing an acoustic guitar There are 5 key elements for EQing an acoustic guitar: * **High-Pass Filter (HPF):** An HPF is a must-have for acoustic guitar. It cuts low-end rumble and muddiness, especially in the 80 Hz to 120 Hz range, allowing the guitar to sit better in a mix and preventing low-frequency buildup. * **Low-Mid Cut:** Acoustic guitars often have a buildup of frequencies in the **low-mids** (around 200 Hz to 400 Hz) that can sound "boxy" or "muddy." A gentle cut in this region can clean up the sound and improve clarity. * **Clarity and Presence Boost:** Boosting the **upper-mids** (1 kHz to 5 kHz) adds clarity and helps the guitar stand out. This range is where the attack of the pick and the string's character live. A small, focused boost can make the difference between a dull and a vibrant-sounding guitar. * **Air and Sparkle Boost:** The **highs** (6 kHz and above) are where the "air" and "sparkle" of the acoustic guitar reside. A subtle, wide boost here can make the instrument sound more open and less muffled. Be careful not to overdo this, as it can sound harsh or brittle. * **Notch Filter for Resonant Frequencies:** Acoustic guitars can have specific **resonant frequencies** that stand out and sound unpleasant. Using a very narrow cut (a "notch") to find and tame these frequencies can significantly improve the overall tone. You can find these by sweeping a narrow boost through the frequency spectrum until you hear the offending tone and then cutting it.

How to EQ Acoustic Guitar in 4 steps Step 1 find the Cross Over for the LowEnd This is the Spot where you start noticing the sound getting thiner within the mix Step 2 with a Wide Bandwidth Open up some of the low mids this will prevent the sound getting too muddy Step 3 To add more Body to the ton add a Bump Right above the Low Cut a little goes a long way Step 4 With a Wide Bandwidth Add some “Air” top open the sound even more this will add more “pick” to the tone

Mastering Tutorial : 4 Plugins for a Tighter Low End 4 ways To get a Tighter Low end Waves Lo Air be careful a little goes a long way! Ozone Low End Focused Punchy Side this can bring your drums to life Linear Phase Multiband Low End Band Range at -10 add some Gain Ozone Maximizer Transient Emphasis a nice way of have punchier mixes

Mastering Tutorial :4 ways to add warmth to your mix 4 ways to add Warmth to your mix and glue SSL Comp Slow Attack (30) Fast Release Ration 2:1 Ozone 11 Vintage Coupe Adds a nice smooth low end Lo-Fi Saturation at 0.2 make a big difference Linerar Phase Multiband Compressor get the threshold to touch slightly Adjust the Low Band for extra compression and add makeup gain

Learn Mixing EQing Acoustic Guitar High pass filter Roll off the lows to a point where you can t hear the low cut within the mix Low Mids around 3500 Wide Bandwidth Cut to Remove Muddiness High / Hi mids Wide Bandwidth around 1.5 K Add some Presence Highs With the Frequency allthe way Open Add some Air for extra shine

Mastering Tutorial : 3 Plugins for Impactful Masters Samantha XO Forever in Your Arms Ozone Low End Focus Set under 100Hz Punchy Turn up contrast Add Gain Waves Linear Phase Multiband Get the Threshold to just touch Add Range to Low Band add Gain to low band Ozone 11 Maximizer IRC 3 Balanced Transient Emphasis Turn up to allow more drums to come through

MIXING TUTORIAL Funk Pop Male Vocal Sound Try This Pop Vocal Sound on your next Summer Track Nectar for Tuning (use what you have) Fairchild 660 important setting is Time Constant at 3 or 4 SSL EQ Add some presence around 1.5-2k Cut Boomyness around 350 DeEss because you have to RVErb HaLL 30 ms pre delay 1.7 sec Decay Air Spring Reverb going into a compressor EchoBoy Delay 1/2 note PingPong Style “Slapetered” J37 Tape Delay for extra texture

AUX I/O : How To Record Anything into Protools

Sound Like a PRO Vocalist! (Mixing Tutorial) "Vocals Sound? EQ for CLARITY & BRIGHTNESS! COMPRESSION for CONSISTENCY! EQ for CLARITY & BRIGHTNESS! Add Presence @ 1.5K Carve out the Lows the Low Mids Rcomp 3:1 Ratio Moderate Attack Auto Release On Aux Plate reverb 1.9SEc Decay 30 ms Pre Delay 14K High filter Cut Delay 1/2 Note Ping-Pong “Verbed” Style Microshift Opens up the Sound make Wide Hall Reverb 150Ms pre Delay 2.8 Sec Time High Rolled off

How To Mix Vocals : Male R&B vocal Sound Tutorial Male R&B vocal Sound Tutorial PS Joey Cry Learn Mixing Male R&B Vocal Tutorial Fairchild 660 Input 20 Treshold 4 Time Constant 3 SSL EQL Cut under 80 Boost around 1.5k Cute a touch 350Hx Boost around 100 Large PLate Reverb 1.6 sec Time 30 ms Pre Delay HF CUT 18 K Delay 1/4 Note Left 1/2 Note Right “Splattered” Style Microshift “Double” #NewMusic#nicoessig #protoolspresets #mixingengineer #r&bVocal #vocalmixingtips #vocalchainmixing

Tame impala - Vocal Sound Tutorial - The Less I Know the Better Help me create More Content Become patron: patreon.com/AudioSweetener ---------- if you find these videos useful and want more, here are a few things you can do to help out: Buy some Vocal Templates : https://www.nico-essig.com/shop Drop a "Follow" on my Socials : https://www.instagram.com/nico_essig/ https://www.tiktok.com/@nico_essig For more news and portfolio material: https://www.nico-essig.com/ Equipment recommendations : https://amzn.to/4cbrDzJ Youtube Channel: https://www.youtube.com/channel/UC397SZv7zBQ2f5nmOXsFhhQ A Sound Alike vocal and beat was used for this tutorial! --- 0:00 Introduction 00:41: Part 1 - Vocal Performance 01:10 : Part 2 - Processing 01:15 : Compression 01:59 : EQ 02:37 : DeEss 02:54 : Doubler 1 03:30 : Pitch and Formant Shift 04:30 : Distortion 04:52 : Reverb 1 05:52 : Reverb 2 06:35 : Octaver 07:13 : Reverb 3 07:47 : Tape Delay 08:09 : Delay/PanMan 08:33 : Final Sound 08:51 : Conclusion ---

Tame impala Style Vocal Sound Tutorial From This to this Rcomp you want to have a good amount of compression because the vocals will sit back a bit SSL EQ The vocals dont have much Lows I ended up cutting up to 300 and add highs Doubler on an Aux Sort of Tight L-R Behind the vocals Second Aux with an Little Alterboy Pitch +12 Formant Around 4 into a doubler Devil-Loc “Bass6” preset RVerb Hall2 30ms Pre Delay 3sec Decay Spring Reverb 90 ms Pre Delay 4 sec Day Low Cut 150 Doubler for Low Octaves Spread wide Large Plate 150ms Pre Delay 2sec Decay J37 Old Tape Delay To add a bit of wobble and movement

Learn Mixing EQ Improve Your Snare Low end can be tricky in general find a frequency that cuts enough but doesn’t cross over the bass/kick too much (60-80) Around 80 Hz is where you want to boost if you beed more Body in your snare 300-400 that Area helps open up the sound and remove the boxiness 4-8 K is a good place to look for extra Attack and presence in a snare sound #musiciansoftiktok #newmusic #musicproduction #nicoessig #bedroomproducer #musicproducer #protoolspresets #diymusician #mixingengineer #mixingtutorial #creatorsearchinsights #protools #drumsound #howtomixdrums #howtoEQsnare

Crafting 3d Spacey Vocal Sounds THE BREAKBOMB PROJECT Too Late R Comp Even out the performance 3-4:1 ratio a bit of a fast attack SSL EQ Cut un needed lows Cut around 350Hz Boost the presence around 2k Automating Filter for transition Lo-Fi Just a touch of Distortion 0.5 is enough for extra gritt Large PLate REverb 2.5 Sec Decay Time 30 me Pre Delay HF cut 15K Spring reverb 30 ms Pre Delay 4sec Decay lowcut 140 Hz Echoboy Delay 1/2 not Ping Pong Style “Verbed” High cut fairly agressif

Mixing Big Wide 🎹 Piano Sound Mixing Tutorial BeethoVibe Pathétique (Piano Sonata No. 8) Piano Sound Panning it Wide is the first step Dont be afraid to EQ Each Side Separately To enhance them Adding more highs to the left hand Cutting more lows and low mids to the right Use a Long Hall reverb Make sure you have a fairly long Pre Delay Add Tape Delay Can add that extra Motion/ vibe to make the sound more Organic

4 Mastering Concept You must Know as an Electronic music Producer 4 Concepts You should know to have a balance Master Short Term Integrated Loudness Look for at least -9 dBlus between -9 and -7 is a sweet spot A Balanced EQ Curve will always look like a slow slop going down if you have a lot of low end energy be careful and double check in your car! Phase Rotation Should be close to 0 usually a balanced master will be at +/- 2 ° Be Carefull of True Peak limiting in my opinion it s an old Dated concept that will destroy your transients

🛑 Stop Your EDM Tracks From Sounding Amateur! DIY Mastering Secrets Revealed Tired of your EDM productions lacking that professional punch and clarity? This video unveils the essential DIY mastering secrets that will transform your tracks from amateur to radio-ready. We'll break down the key mastering stages you can implement in your home studio. Level up your EDM sound now! #EDMProduction #MasteringTips #DIYAudio #MusicMixing #soundengineering

🎸 Guitar Sound Tutorial with effects - how to mix guitar